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vs-lissajous-gui.pd
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vs-lissajous-gui.pd
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#X obj 101 118 cnv 15 300 60 empty empty empty 20 12 0 14 -228856 -66577
0;
#X obj 108 552 outlet~ X;
#X obj 178 552 outlet~ Y;
#X obj 246 552 outlet~ B;
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10 -4034 -1 -1 0 256;
#X obj 237 320 / 360;
#X obj 108 161 nbx 5 14 -1e+37 1e+37 0 0 \$2/harmonic \$2/harmonic
harmonic 0 -8 0 10 -4034 -1 -1 1 256;
#X obj 134 346 sig~;
#X obj 225 161 nbx 5 14 -1e+37 1e+37 0 0 \$2/scale \$2/scale scale
0 -8 0 10 -4034 -1 -1 100 256;
#X obj 182 320 / 100;
#X obj 341 161 nbx 5 14 -1e+37 1e+37 0 0 \$2/brightness \$2/brightness
brightness 0 -8 0 10 -4034 -1 -1 100 256;
#X obj 297 321 / 100;
#X obj 417 366 kollabs/ds_reg \$1 \$2/frequency;
#X obj 417 426 kollabs/ds_reg \$1 \$2/harmonic;
#X obj 417 446 kollabs/ds_reg \$1 \$2/scale;
#X obj 417 466 kollabs/ds_reg \$1 \$2/phase;
#X obj 417 486 kollabs/ds_reg \$1 \$2/brightness;
#X obj 190 17 inlet~ phase;
#X obj 102 17 inlet~ phasor;
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#X obj 152 81 select 0 1 2;
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#X msg 292 135 1;
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#X obj 277 36 r~ \$1-master;
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#X restore 99 286 pd selector;
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#X obj 273 17 inlet~ scale;
#X obj 421 93 savestate;
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#X obj 543 218 f;
#X obj 563 238 f;
#X obj 583 258 f;
#X obj 417 386 kollabs/ds_reg \$1 \$2/frequency-100;
#X obj 417 406 kollabs/ds_reg \$1 \$2/source;
#X text 485 549 Derek Holzer;
#X text 485 598 [email protected];
#X text 485 573 Helsinki May 2019;
#X obj 108 424 vs-basic-lissajous;
#X obj 353 17 inlet~ brightness;
#X obj 166 161 nbx 5 14 0 360 0 0 \$2/multiple \$2/multiple multiple
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#X obj 310 259 s pd-\$2-help;
#X msg 310 237 vis 1;
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#X obj 276 18 cnv 15 300 220 empty empty HELP:vs-lissajous-gui 20 12
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#X text 283 43 INLETS:;
#X text 283 153 OUTLETS:;
#X text 309 86 2) Phase signal (0-1);
#X text 309 106 3) Scale signal (0-1);
#X text 309 126 4) Brightness signal (0-1);
#X text 309 176 1) X signal;
#X text 309 196 2) Y signal;
#X text 309 216 3) Brightness signal (0-1);
#X text 309 66 1) Ramp signal (i.e. from [phasor~]) (0-1);
#X text 15 249 This patch illustrates a basic Lissajous figure made
by the harmonic relationship of two cosine waves. The second cosine
is phase-locked to the first \, and is given a higher harmonic by the
MULTIPLE number box. Changing the phase relationship of the two cosine
waves "rotates" the figure in a pseudo-3D space. It can also be scaled
in size and its overall brightness can be changed.;
#X text 14 343 The source of the ramp driving this abstraction is selected
from three options:;
#X text 25 434 EXT: ramp is taken from left-most inlet in the abstraction
;
#X text 26 458 MASTER: ramp is taken from the MASTER bus \, which could
be a [vs-phasor-gui] set to MASTER \, or the master clock of the [vs-multiplex-gui]
set to MASTER.;
#X text 490 254 Other controls:;
#X text 512 363 PHASE adjusts the phase of the output waveform.;
#X text 511 338 SCALE adjusts the amplitude of the output waveform.
;
#X text 511 289 HARMONIC sets the output waveform to a harmonic multiple
of the driving ramp. It also determines the number of STEP or RANDOM
steps per cycle of the driving ramp.;
#X text 25 388 INT: internal ramp generator with rough and fine tune
(freq/100) plus RESET button for phase. Set SMOOTH to ON if using MIDI
CC to control frequency.;
#X text 512 383 BRIGHTNESS sets the brightness value of this vector
figure.;
#X text 753 428 Derek Holzer;
#X text 753 477 [email protected];
#X text 753 452 Helsinki May 2019;
#X restore 310 289 pd \$2-help;
#X obj 218 47 loadbang;
#X obj 257 130 hradio 15 1 0 2 \$2/smooth \$2/smooth ON 35 8 0 10 -257985
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#X text 256 115 Smooth;
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#X obj 207 200 r \$2/smooth;
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#X coords 0 -1 1 1 302 80 1 100 100;