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Finally each entry has a value indicating the *likelihood* that a note should be played in that space. (Lower values have a higher chance of being played.)
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Example:
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`1``_``3``1``_``3``1``_``3``1``_``3`
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### Chords
@@ -46,8 +43,9 @@ These notes are then offset by some number of octaves (multiples of twelve in MI
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A single time signature for a piece is fine, but only one chord would be boring. White Noise uses [Chord Progressions](https://en.wikipedia.org/wiki/Chord_progression) to change between chords and therefore available pitches. It plays through one iteration of the **Time Signature** bar, using notes from the first **Chord** in the progression, and then repeats the bar again with the next chord.
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So finally we have a **Piece** which is composed of a **Time Signature**, some **Chords** and a **Chord Progression**.
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Example: (*Pachebel's Canon in D*)
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So finally we have a **Piece** which is composed of a **Time Signature**, some **Chords** and a **Chord Progression**.
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